Portal:Novels

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Title page of the 1628 edition of Bacon's New Atlantis
Title page of the 1628 edition of Bacon's New Atlantis

A novel is an extended work of narrative fiction usually written in prose and published as a book. The English word to describe such a work derives from the Italian: novella for "new", "news", or "short story (of something new)", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and in the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird. Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love.

Murasaki Shikibu's Tale of Genji, an early 11th-century Japanese text, has sometimes been described as the world's first novel, because of its early use of the experience of intimacy in a narrative form. There is considerable debate over this, however, as there were certainly long fictional prose works that preceded it. The spread of printed books in China led to the appearance of classical Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century.

Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels. While these comic book versions of works of fiction have their origins in the 19th century, they have only become popular recently. (Full article...)

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Natalie Barney, an American who lived and held a literary salon in Paris, was the model for Valérie Seymour
The Well of Loneliness is a 1928 lesbian novel by the British author Radclyffe Hall. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose "sexual inversion" (homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: "Give us also the right to our existence". The novel became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote "I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel." Although its only sexual reference consists of the words "and that night, they were not divided", a British court judged it obscene because it defended "unnatural practices between women". In the United States the book survived legal challenges in New York state and in Customs Court.

Selected novel quote

  • You will begin to touch heaven, Jonathan, in the moment that you touch perfect speed. And that isn't flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn't have limits. Perfect speed, my son, is being there.

Jonathan Livingston Seagull

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John Steinbeck

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